Jesus Christ is Risen indeed!

Hallelujah! Hallelujah!

Christ our Lord
is risen
in each of us each day,
and neither gravity
nor a cruel grave
can keep us down.

by Mary Harwell Sayler, © 2017, from her book of prayers, poems, and contemporary psalms, PRAISE! published by Cladach Publishing
…

Trying to keep my eyes on Jesus - with or without clouds

The life of a Christian poet-writer is often clouded with interruptions and disturbances – some desirable, some not!

After a wonderful sisters’ cruise to the Bahamas in mid-March, I came home with a head cold aka sinus infection, both of which kept my eyes looking behind me as I tried to move forward and catch up.

Then, the very day my book of contemporary psalms and free verse poems PRAISE! was to be released by Cladach Publishing, my computer refused to work in total disregard of my plans for promotionals.

As soon as a new keyboard solved my pc problem, I resolved to blab about my book all over the Internet – a smart marketing approach for Christian poets and writers who hope people will actually read what they have written.

New book….
Fun time with siblings….
Head cold….
Fritzed keyboard….

Each caught my attention. Each clouded my focus, and yet each drew me back to prayer and a greater appreciation of the Lord in my life.

Praise the Lord for keeping life lively!

Praise the Lord for scriptures that draw us closer to Christ.

Praise God for speaking to and through us in what we’ve been given to write:

Cloud bank

Around us a cloud –
witnesses
of the faith –

and our faith rising
like cloud wisps
forming Jesus’ face –

a reminder of The One
toward Whom we run

as we leave behind
all hindrances –
obstructions, interruptions –

and open our own
luggage
to be searched by none
but Christ on the throne.

by Mary Harwell Sayler, © 2017, poet-writer who based the above on Hebrews 12:1-2, today’s Bible verse in a variety of translations from Bible Gateway

…

Poetic Power of Dyslexia

Most poets and writers draw on experience, personality, or the power of observation to find something fresh to say in their fiction, nonfiction, and poetry. If you do that in your writing too, great! Keep up the good work. However, the traits you think of as a disadvantage or even a handicap might be the ones that help you to develop your own voice or distinctive style. Take, for instance, dyslexia.

Like many poets and career freelance writers, I began writing as a young child but, in my case, backwards. One way or the other did not matter to me, but this stressed out my teacher so much, she made me stay after class on my very first day of school. For years I thought Mrs. Smith called Mother to come in, too, to see how sloppily I wrote as my left hand smudged the soft pencil across the lined paper in my notebook, but no. I had perfectly copied everything the teacher wrote on the blackboard (which actually was black then), and I had formed each letter of the alphabet correctly. I had just written everything on the blackboard backwards.

For fun, I still like to spell ippississiM in my head, and I must warn you not to even try to beat me at word games like Boggle or Wheel Of Fortune unless, of course, you’re also a bit dyslexic. Most of the time, though, inverting letters and scrambling words or thoughts has gotten me into trouble, especially when I’m tired. If someone happens to spew double-negatives then, I can almost guarantee my brain will not follow.

In writing poetry and poetic manuscripts, however, dyslexia can come in handy. Word scrambles often lead to word play, and scrambled thinking can connect this to that in a previously untried but true way. Such “mistakes” might add a note of humor to fiction or nonfiction too and, in some cases, bring about a fresh idea, insight, or observation.

For example, as a Christian writer I often write nonfiction articles and devotionals. In one short article I wrote for other Christian poets and writers, I talked about the importance of double-checking facts and speaking with a loving voice whenever we write in the name of Jesus. Since Christians pray in Jesus’ name, my point was to encourage that thought also as we write. However, instead of typing “in the name of Jesus,” I wrote, “in the amen of Jesus.” Same letters, you notice, just scrambled. When I finally noticed this myself, I thought, wow! That better said what I wanted to say anyway. i.e., Anything we write (or pray) in Jesus’ name needs Jesus’ amen or affirmation.

I certainly do not pray for my dyslexia to increase or for you to catch it! But I do pray that you use your talents and “flaws” well. I pray you begin to see your “mistakes” or “handicaps” or “shortcomings” or “disadvantages” as a means of making your writing distinctive, inimitable, and one of a kind. Do I hear an name?


©2010, ©2015, Mary Harwell Sayler 


…

Getting inspired by God

In-Spired
by Mary Harwell Sayler

I love You, Lord.
I love The Way
You write
right through my hands
to touch
unknown readers’ eyes,
and immediately,
they see!
They love you, Lord.



©2015, Mary Sayler 

From Gospel to prose poem

The Parable of the Sower
prose poem by Mary Harwell Sayler prayer-a-phrased from Gospel readings in Matthew 13:3-23; Mark 4:3-20; Luke 8:5-15

A farmer went out to sow,

and some say he was stupid or careless or wasteful with the seed, which he let fall all over the just and the unjust. Some of the seeds clung like stick-tights – hitchhiker seeds that stuck around for centuries until inspiring Swiss naturalist George de Mestral to invent Velcro – sticky seeds that produced weeds like burdock known for medicinal purposes and sometimes planted purposely as a vegetable to be eaten or treated like the sunflower family to which burdock belongs.

Some seed fell on hard ground –

paths too often taken to be open to anything new. Some fell on stone, sliding off in rain or finding a crack to sink into then growing roots strong enough to split a rock, which isn’t easy.

Some of the seeds settled into nestling soil so good for growing that thorns liked it, too, and rose up – tall, crowded, dense, and as overwhelming as fear or worry and as brightly colored as almost anything urgent.

But some seeds found a fine place to light, take root, bear fruit, and feed you, me, the birds, and anyone else who’s hungry before sending out new seeds that the farmer went out to sow.


©2015, Mary Harwell Sayler, poet-author has been focusing on connecting poetry and the poetic word of God as shown in this prose poem, originally published in the Spring 2013 issue of Penwood Review and included in the book of Bible-based poems, Outside Eden, published in 2014 by Kelsay Books.

…

Witnessing Jesus’ Signature

In the Christian community, important words or phrases get tossed around one denomination or another – spiritually healing words, spiritually vital words such as “Savior,” “resurrection,” “redemption,” but sometimes the significance passes over us without registering the full impact such words can have.

Take “witness,” for example. Does the thought of a witness testifying in court come to mind? When we need to make a case for Christ, that’s exactly the kind of witness we most likely need to be.

A witness testifies or gives a testimony that's often based on a personal experience other people can relate to – or not! In other words, a witness gives evidence that might not be evident to everyone until we explain.

For the growth of the church and the encouragement of other Christians, we need to be witnesses, who spread the Good News by word-of-mouth. If we also happen to be Christian poets or writers, we have the opportunity and unique privilege of putting our witness into writing and signing our names.

But what about the Name of Jesus? We pray in His Name, but how does He sign His name?

In sign after sign, the Bible records Jesus’ miracles, teachings, parables, prayers, love, healing, and sacrifice.

Jesus is Himself the sign of God’s forgiveness and redemption.
Jesus is the sign of God’s mercy and love.
Jesus is God’s signature in the world and in our lives.

As we speak to others about Christ or give our testimonies or write in any genre, may we remain alert and eager to let our witness become a witness to Jesus’ signature.


© 2014 Mary Harwell Sayler - poet-author
…

Modern Poetry and the Christian Tradition

Who would expect a book written over 50 years ago to give serious poets and poetry students such a timely word about Christianity and culture today? Nevertheless, Modern Poetry and the Christian Tradition manages to do just that.

Written by the late Amos Wilder – a New Testament scholar, poet, literary critic, clergyman, and brother of Thornton Wilder – the book, kindly given to me for review by Wipf and Stock Publishers, provides a highly intelligent look at ways we can relate Christianity to the culture in which we live.

Interestingly, the poets Wilder highlighted for significant contributions in this area are the ones I also recommend: Fr. Gerard Manley Hopkins, T.S. Eliot, Dylan Thomas, Wallace Stevens, W.H. Auden, and others.

Why does this matter? As Wilder said, “We recognize that the creative, imaginative expressions of culture are often our best clues to the diagnosis of men’s hearts and the deeper movements of the age.” Furthermore, “of all the arts, poetry, since it is an art of language, of the word, will often retain and sustain a varied relation to religion.”

Attesting to the insight that “poetry is praise,” the author acknowledged different views “held as to what is important and unimportant, what is healthful and harmful, what is Christian and un-Christian, in the tangled skein of cultural traditions” as we find “differing judgments as to the true spiritual heritage of the West and especially as to the Christian tradition in our English-speaking lands. Thus different values can be assigned to such main factors as Catholic order, the Protestant revolution, scientific empiricism, all of which have had their changing roles through the centuries and which have entered into special combinations with more recent phases of culture….”

With a fair-minded presentation of the many factors involved in the “story of what happened to the modern world’s faiths and assumptions” in literature, the author stated how, “We note first the loss of absolutes in our world.”

This loss led to devaluing traditions and communal roots until we reached a general “depersonalization” of mankind. If we take a sec now to think about the ads, television programs, popular books and movies today, we can see how timely or, perhaps, prophetic, Wilder’s words were in saying, “The depersonalized psyche, the numbered and enervated worker, requires high-tension stimuli to recover a transient awareness of his own identity.”

Insightful!

In other words, the more insensitive society becomes, the more it takes to awaken individual readers, help them to feel again, know themselves again, and/or draw them to Christ, the church, and the Christian faith.

So, how are we, as Christian poets and writers, to respond to this dilemma? As Wilder reminded us, “It is the spirit, as the Christian understands it, which searcheth all things and which underlies all the dynamic impulses of our crisis. Therefore the Christian is in the best position to understand them, to diagnose the age, to ‘interpret the times’.”

While acknowledging that a “diagnosis of our time in terms of its imaginative literature allows us to speak rather of directions than of solutions or conclusions,” the author gave us insight into Catholic and Protestant poets and writers who found ways to connect with readers during their lifetimes and also with readers now.

As I mentioned earlier, Wilder selected works to discuss of the very Christian poets and writers I’d also recommend for careful study and enjoyment. What I did not mention, though, is that it took me years of reading and searching on my own to “discover” and recommend those same literary artists as mentors I turn to again and again.

Be forewarned, however: You might need a dictionary, as I did, to clarify some words in Wilder’s heightened vocabulary, but his insights will give you a wide view of the impact and Christian influence your poems and writings can have on our needy society now.


© 2014 Mary Harwell Sayler - poet-author of Living in the Nature Poem and the Bible-based poetry book, Outside Eden - also wrote the Christian Poet’s Guide to Writing Poetry e-book, based on the home study course she used, one-on-one, with poetry students and other poets for years.


Modern Poetry and the Christian Tradition, paperback



…

Seeing Beauty and Saying Beautifully

What pressed me to request a review copy of this highly recommended book from Crossway was the title, Seeing Beauty and Saying Beautifully, which expresses my yearning for poetry – both yours and mine.

If you have searched and searched, as I have, for Christian poet-mentors to study, you know how difficult it can be to find one who does not see beauty as saccharine and who does not write unrealistic poems that tap-tap their iambic feet onto paper from Miss Goody's two shoes! And so this slender hardback comes to our rescue, featuring three poets, writers, and pray-ers worth emulating: George Herbert, George Whitefield, and C.S. Lewis.

Although each of these writers makes use of different genres to address their honest doubts, worries, and concerns, they all keep searching for God until they find, see, and express the beauty that's bound to blossom with fresh words and refreshed faith and hope.

As the sixth book in The Swans Are Not Silent series by John Piper, this book was most likely written with Christian educators and pastors in mind, rather than poets and writers. Regardless, the book speaks clearly to any communicator for Christ, exhorting us to consider the poetic effort in the poetry of Herbert, preaching of Whitefield, and creative writings of Lewis.

The Introduction defines that premise by saying, “This effort was the God-dependent intention and exertion to find striking, penetrating, imaginative, and awakening ways of expressing the excellencies they saw. My thesis is that this effort to say beautifully is, perhaps surprisingly, a way of seeing and savoring beauty.”

Whether in writing or speaking, we choose our words and how we use them – hesitantly, softly, boldly, accusingly, or beautifully. We want to move people to hear and heed, which “may be one reason why the Bible is filled with every manner of literary device to add natural impact: acrostics, alliteration, analogies, anthropomorphism, assonance, cadence, chiasmus, consonance, dialogue, hyperbole, irony, metaphor, meter, onomatopoeia, paradox, parallelism, repetition, rhyme, satire, simile…and more.”

Anglican pastor, George Herbert (1593-1633) “called his poems the record of his conflict with God,” and yet “his skill in the use of language has earned him the high praises in the twentieth century from T.S. Eliot, W.H. Auden, Gerard Manley Hopkins, Elizabeth Bishop, and Seamus Heaney.” Never aiming for “art for art’s sake,” Herbert consecrated his poems to God’s glory, aiming to “feel the love of God and to engrave it in the steel of human language for others to see and feel.” In this role as the secretary of God’s praise, “Herbert discovered… that the poetic effort to speak the riches of God’s greatness gave him deeper sight into that greatness.” In other words, “this effort to see and savor the glory of Christ was the effort to say it as it had never been said before.”

Oh, how great such an aim with no thought of a brand or platform!

Similarly, in the 18th century, George Whitefield’s sermons became “a phenomenon not just of his age but in the entire two-thousand-year history of Christian preaching. There has been nothing like the combination of his preaching pace and geographic extent and auditory scope and attention-holding effect and converting power.”

“Whitfield’s poetic effort focused on the making of sermons” where “specific biblical passages and doctrines were chosen, and specific words, sequences, consonances, assonances, cadences, images, narratives, characters, tones, pathoses, gestures, movements, facial expressions – all combined for an astonishing impact on believer and unbeliever alike.” In other words, his “poetic effort to speak and act in suitable ways wakened in him the reality he wanted to communicate. For him the truths of the gospel were so real – so wonderfully, terrifyingly, magnificently real – that he could not and would not preach them as though they were unreal or merely interesting.”

Closer to our time, C.S. Lewis came to Christ through logic and reason, which “led him to see that truth and beauty and justice and science would have no validity at all if there were no transcendent God in whom they were all rooted.” However, he reasoned that “if the key to the deepest meaning of this world lies outside this world then the world will probably be illumined most deeply not simply by describing the world as what it is but by likening the world to what it is not.” By using “metaphor, analogy, illustration, simile, poetry, story, myth – all of these are ways of likening aspects of reality to what it is not, for the sake of showing more deeply what it is.”

So, how does this affect us in our writing and speaking endeavors? As series author John Piper says, “Groping for awakening words in the darkness of our own dullness can suddenly flip a switch and shed light all around what it is that we are trying to describe – and feel. Taking hold of a fresh word for old truth can become a fresh grasp of the truth itself. Telling of beauty in new words becomes a way of tasting more of the beauty itself.”

Sometimes this simply means praying before we speak or write, giving our work to God, and giving God and the work the time needed to speak beautifully to us and others. As one of my favorite Bible verses says it, “With You (God) is the fountain of life, and in Your light we see light” (Psalm 36:9.) Amen!

© 2014, Mary Harwell Sayler, reviewer and poet-author of Living in the Nature Poem and the Bible-based poetry book, Outside Eden


Seeing Beauty and Saying Beautifully, hardcover



…

Are Christian publishers afraid of poetry?

Christian or not, book publishers have the same goal: Selling books. And Christian or not, book editors surely do not want to risk the reputations of their companies or themselves by publishing books apt to have few sales. That’s understandable, but if Christians are to be the head and not the tail of publishing trends, perhaps we might reconsider.

Would we have the poetry of Dante, Milton, Herbert, or Eliot if they were seeking publication today?

Would poems by Fr. Gerard Manley Hopkins find a place in our society?

Why does Amazon show 5,240 results for “spiritual poetry” and 22,634 for “religious poetry books” with many new titles released by traditional publishing companies, while 10,453 titles for “Christian poetry” merely include poems by Christians or present the works of poets long dead or overflow with self-published poetry that often demonstrates little thought of readers and no editorial input?

Readers, movie-goers, and television-watchers show an avid, sometimes morbid, interest in the afterlife and spiritual realm, so the “market” is obviously there, and the field is wide. Lord willing, I’ll post an overview of the exquisite Torah-based poetry of a Jewish poet this week on the Bible People blog because I am delighted to see poetry on a literary level bring Judeo-Christian scriptures to life. But we need more Christian poets and writers who speak in an educated, poetic voice to spiritual seekers.

We need more artistically winsome ways to win over people who see the church as irrelevant and win back Christians who have fallen away.

We need more Christian publishers ready to take a stand and take a chance that, yes, all genres have power. Poetry has power, and from the beginning – in the very beginning – was the most highly poetic Word.

~~
© 2012, Mary Harwell Sayler, all rights reserved. For articles on a variety of Bible topics, see Blogs by Mary. May God bless and guide our work in Jesus’ Name.
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Evangelism and the Spoken Word Performer: interview with Christian poet and Boeing 777 pilot Phil Long

Mary: Phil, I haven’t seen or heard anything as innovative or effective as your poetry performances since Carmen evangelized and captivated crowds in the 1980’s by singing Gospel stories such as Lazarus. How did you get started with your amazing ministry?

Phil: I’d been a closet poet and writer for 30 years before I discovered slam poetry on a layover as a commercial airline pilot. I recognized the potential for engaging people with the hope of the Gospel, and the beauty of the art involved was appealing too, so I dove in.

Mary: How do people generally respond?

Phil: Audiences respond well when the poetry is written for and to them. I have found that to succeed in this community of spoken word artists one must not only have something that they want to say but also respect the audience. This is particularly true in a poetry slam where the audience judges one's poetry and decides who advances to the next round of the competition to perform again.

Mary: So true! Yet so many poets seem to think that published or public poetry is only about themselves and their own words. Your ministry, however, physically draws people, so you can see their faces and energy, and immediately sense their reactions, which poets and writers usually cannot do. Most of us work alone at our personal computers or laptops, but your ministry sounds like it involves other people from the start. Does it?

Phil: I, too, write alone, but there is no question that spoken word poetry is interactive and viscerally personal. You get to see "the whites of their eyes" and hear them react audibly as you perform. You watch your art strike and move the audience. This, of course, means that you need an audience. I have performed and networked for over 3 years now, and that effort is producing more gigs and more contacts. I collaborate with many individuals, churches, and organizations such as Prison Fellowship (approved speakers list), CRU (Evangelistic Speakers Forum), the Luis Palau Evangelistic Association (Next Generation Alliance), and others to complement their mission rather than promote any agenda of my own.

Mary: What do you hope will happen? Where do you see this ministry going?

Phil: That is the most exciting part for me! The young Christian poets I have encountered along the way are brilliant and native to this genre while I feel a bit like an outsider who has moved into the neighborhood. I am recruiting and building a collaborative community of Christian poets who write of their faith like it really matters primarily for spoken presentation with secular audiences. I'm finding this to be a surprisingly rare pursuit. I find that most Christian spoken word artists write for Christian audiences. The goal of a nonprofit poet community I am building, the Sacrificial Poet Project is to "promote faith conversations through the art of spoken word poetry." Our YouTube channels are "jesuspoetryslam" where we have showcased videos for some of our younger poets' work along with some non-Christians who write about our faith and "madatamyth" where my own, lesser, material is moldering. So, my main effort now is to expand success in this genre to other young Christian poets who write and perform for secular audiences.

Mary: Excellent! Although your work will undoubtedly encourage Christian poets and writers and strengthen faith in general, your performances for secular audiences make your ministry highly evangelical.

Phil: Well, writing that "preaches to the choir" lacks a certain authenticity and edge that we are looking for in this project, so I prefer to let the secular audiences decide who is a competent Sacrificial Poet. If a poet succeeds while presenting the hope of the Gospel to a hostile or indifferent audience, they have what it takes. There's a certain laziness of expression that infects one's writing when speaking to an audience that already shares your view. Personally, I find it invigorating to share my faith with people who may be antagonistic or skeptical, and doing so in a way that they will appreciate. The challenge, of course, is to remain true to the Gospel while doing so. It's a fine line.

Mary: Provocative term “Sacrificial Poet,” but I want to understand exactly what you mean, Phil, and readers will too. Expound on that a bit.

Phil: "Sacrificial Poet" is a term I've lifted from the poetry slam world. It describes a non-competition poet who is invited to the stage before every slam to perform an original piece so that the newly selected audience-judges can practice their untested judging skills. And since God is clearly a poet and a spoken word artist, and since we are His poema (Greek word for workmanship), and since we reflect Jesus Christ who is the ultimate Sacrificial Poet and The Word become flesh, it just seemed a natural fit on so many levels. Stunningly, really. We call our collaborative community of poets the Sacrificial Poet Project, and I'm actually amazed that the URL for our website wasn't already taken since this is not a new idea. For example, Acts 17 records the apostle Paul in an ancient example of the contemporary "open mic" scene that these Sacrificial Poets frequent today. If you remember, Paul quoted classical Stoic poets to his audience as a bridge to the hope they could find through God "in whom we live and move and have our being."

Mary: Well-said, Phil – and well-done. I hope what you're doing will encourage other Christian poets, writers, and performance artists to seek new ways to make the Gospel message come alive, so people can hear. May God continue to bless you and your good work.

~~

© 2012, Mary Harwell Sayler, all rights reserved.

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Reflecting God’s Light in what we write

Christmas and Hanukah bring Holy Days of Light to Christians and Jews, but depression and desperation often come this time of year to lonely people who do not know God. As poets and writers who do know God and the Word of God given to us through the Holy Scriptures and Holy Spirit, God gives us light to bear and light to share.

As Isaiah 49:6 promises: “You will do more than restore the people of Israel to Me. I (God) will make you a Light to the nations to bring My salvation to all the peoples of the earth.”

Sometimes the word “salvation” is used so often it seems dull, but in God’s Light we see light. To re-view what the Bible shows:

Salvation offers a way of escape from bad habits and attitudes that seize and entrap.

Salvation rescues people from mistakes hanging over their heads like dead mistletoe.

Salvation delivers people from the presence of evil, bad will, and unforgiveness.

Salvation recovers who and what was lost.

Salvation brings salve and healing, wrapping us in love and offering our writing as a gift in the present as a present from God.

Only God can save. Only God is Light and gives Light to all who want to step away from dark corners or dark thoughts lurking around, threatening to overshadow. But, as poets and writers and people of God, we have brightness!

We are Christmas lights and Hanukah candles.

Our poems and manuscripts can bring all that God gives us to give to others – giving and giving yet having more and more to hold onto and keep.

Let's pray to remember, though, that reflecting the Light requires reflection.

Let's pray to remember that part of the Light is being light, and our part may be to have and to hold a light touch, levity, and humor.

Only God can put ho-ho into Holy Days – not with zaniness or phony attempts to be jolly but with the true, pure light of joy. So let's pray for joy. Pray for light. Pray for daily reflection on the Light of Christ and the Joy of Salvation as we reflect our loving Heavenly Father -- the Almighty LORD God to the world.

~~

© 2011, Mary Harwell Sayler, all rights reserved.

http://www.marysayler.com

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Speaking your peace

When people give a piece of their minds, they often express a partial piece of a bigger picture. Or to consider another caller on this homophone, a pastor or priest might ask at a wedding if anyone has a reason why the couple should not be married, and, if so, “Speak now or forever hold your peace.”

In chaotic times where rants, rumors, and discordant reports resound against God, Christ, and the church, we might be inclined to hold our peace by severely clamping our teeth against our tongues. We might shy away, wishing we were invisible. Or we might rush in to provide our little piece of the truth as we see it instead of asking God how God sees it. But here’s the thing:

Christian poets and writers have God-given intelligence, which can be called on to search out the truth, re-search information, investigate both sides to a story, and present a full, fair-minded view.

Christian poets and writers have powers of speech and communication capable of ringing longer, louder, and truer than self-expression alone.

The Bible assures Christian poets and Christian writers that, as Christians, we have the mind of Christ (I Corinthians 2:16), especially if we read the Bible and pray for the Holy Spirit to guide us.

Becoming attuned to God and in tune with our times can be complex but also simpler than it might sound. For instance, we can pray for discernment, expecting God to answer, and we can examine our minds and motives as we ask ourselves some simple questions:

Does my writing stir up people or stir readers from all cultures to accept the love, healing, forgiveness, redemption, and salvation of our Lord Jesus Christ?

Does speaking peace encourage my Christian brothers and sisters and, indeed, the whole Body of Christ to come together, eager to be at peace with one another?

In what ways can my poems, stories, devotionals, articles, and books bring reconciliation and healing to denominational or other church factions?

Do I willingly, prayerfully, and lovingly speak my piece as part of the ongoing peace of God?



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© 2011, Mary Harwell Sayler, all rights reserved.

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Blogs need focus, focus

With new blogs appearing daily on the Internet, your blog can stand out and draw readers if you focus on a specific topic and a specific readership.

For instance, you probably noticed that this blog addresses steps traditionally involved in researching, writing, revising, and marketing manuscripts primarily written for a Christian audience and/ or from a Christian perspective. Therefore, the specific readers to whom I speak are Christian writers, Christian poets, and Christian editors.

For Christian readers in general, the Bible Prayers blog focuses on almost all of the prayers in Holy Scripture, while The Poetry Editor blog hopefully speaks to poets, poetry editors, poetry students, and poetry lovers who want to discuss the poetic techniques, forms, and characteristics of well-written free verse and traditional poetry too.

Before deciding on those particular topics, however, I asked myself some questions that might also help you to fine-tune your focus:

What topics have interested me most of my life and continue to interest me enough to want to keep spending time with them and investigating them, perhaps for a long time?

Which topics have I studied or researched reasonably well?

Which of these topics might readers also want to think about, learn about, or discuss?

Do I have relevant experiences that could benefit potential readers?

Am I willing to double-check the facts and information I relay, even though I think I know?

Realistically, how often can I research, write, and post new articles? Once a day? Once a week? Twice a week? Twice a month?

Do I treat blog readers the way I want to be treated?

Am I willing to focus on their needs even when I promote my blog(s) through the major social networks, so the very people I hope to draw will not feel spammed, disrespected, or overwhelmed?

Will my readers be so glad they discovered my blog that they will just naturally pass on the good news?

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© 2011, Mary Harwell Sayler, all rights reserved.

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Bible Verses and Hebrew Poetry

Christians often refer to portions of the Holy Scriptures as “Bible verses,” suggesting poetry. That’s exactly what you’ll find throughout the creative word of God, especially in the Psalms and poetic prophets such as Isaiah.

Unlike the overly saccharine, sing-song poems often written for Christian readers today, Bible poems are honest, metaphorical, and rhythmic, but not always upbeat.

In poetic books such as Job, Lamentations, and Ecclesiastes, biblical poets wrote through their fears, doubts, worries, anger, envy, pride, and other powerful emotions. For example, Psalm 6:1 says:

O LORD, rebuke me not in your anger! Chasten me not in your wrath.

Sometime during Lent, most Christians feel the chill of Psalm 22 as the words are read from the prophetic poem Christ recited from the cross:

“My God! My God!
Why have you forsaken me?”

Keep reading, though, and you’ll see how that Psalm also provided a message of hope for those who heard those words during a terrible time.

Psalm 22 and other poems that “get real with God” provide credibility, too, as readers, then and now, discover and believe the upbeat reassurance of God’s ongoing love in the very next poem, the beloved 23rd Psalm.


~~

(c) 2010, Mary Harwell Sayler

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Traditional Publishing for Christian Poets & Writers

If you're drawn to writing poetry, fiction, nonfiction, or books, stories, and poems for children, you'll eventually want your work to be published, but how do you go about this? Here are some tips with Christian poets and writers especially in mind:


• Notice the names of traditional publishers whose work you enjoy reading.

• Do these publishers have a website? If so, study the titles in their book lines and the poems or magazine articles in their archives.

• List publishers whose books or publications seem similar yours.

• Study and follow the writers' guidelines on each company's website.

• Send a book proposal, article or batch of 3-5 poems to 1 editor at a time.

• Keep track of where and when you sent your work.

• If you have no response in 2 to 3 months, follow-up.

• While you wait to hear about one manuscript, begin another.

• If an editor returns your work, read the manuscript or poems aloud.

• Listen for rough spots. Revise as needed, then submit your revision to the next publisher on your list.

In addition to those tips, check the website for your denomination.

Study the Mission Statement of your church.

Study church-produced publications such as Bible studies, church curriculum, devotional guides, and children’s take-home papers.

Write the appropriate editor to express your interest in writing those materials.


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(c) 2010, Mary Sayler, all rights reserved.

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