Jesus the Storyteller

In Part 1 of Jesus the Storyteller, academic author Stephen I. Wright gives an overview of respected writings on the parables, which I recommend for biblical scholars and Bible teachers interested in a serious study of the good stories Jesus told. To be honest though, those opening pages provided more information than I wanted!

When the publisher WJK (Westminster John Knox Press) kindly sent me a free copy of the book to review, I didn’t expect such a scholarly approach. As a narrative poet and writer, I mainly wanted to know what made the stories work as a form of entertainment used to reveal spiritual truths. But then, I also saw how the book can help our Christian writing lives.

Although the text continues on an academic level, subsequent sections delve into the aspects of story that narrative poets and writers need to study and employ: theme, purpose, characters, plot, and setting.

For example, chapter 6 “Hearing the stories through Luke” points out that “Luke recounts more stories from the lips of Jesus than either Mark or Matthew. Most of these occur in the ‘travel narrative’ of Jesus’ journey to Jerusalem….”

Since I’d never thought of the stories as being set in a larger story on the way, I read with interest:

“We may best outline Luke’s performance of these stories by noting the way he has woven them into his travel narrative as explanations, illustrations, clarifications or expansions of teaching and situations that arise ‘on the way’,” where, “Interaction with others is a constant.” It’s sort of like a travelogue with stories accentuating passage from one place to another.

In chapter 7 “Hearing the stories in Galilee,” the author points out that “Stories have a setting that may be a combination of geographical, cultural, temporal and religious aspects, and more…. This is part of what we mean when we say they invite us into a ‘world’.”

For example, the Parable of the Sower in Matthew 13:3-9, Mark 4:3-9, Luke 8:5-8, and the apocryphal book, Thomas 9 was set in a world where “the great majority of the population scraped a living together off the land.” And so, the author asks, “what would be the force of the parable’s promise of a harvest?” Although we might typically expect our gardens in the U.S. to do well, farmers in Jesus’ time and locale would have been less certain of a favorable outcome.

Besides this, “For Jewish people, the land had considerable spiritual significance. It was God’s trust to his people, to tend and care for. Israel’s care for her land came to be seen, in the developing tradition, as a mirror of the way humanity had been called to care for the earth….” Therefore, “God’s blessing on the land was a sign of his favour and the fact that the people were acting in obedience to him and justice towards each other, while drought, famine, plague and conquest were a sign of his displeasure and their rebellion.”

Additional chapters consider other parables and places, but sticking with Luke’s presentation of The Sower in chapter 7 might give you a better idea of what you’ll find in this book. For instance, headings include:

Setting
Character
Point of View
Plot
Reflection

The character in The Sower is the only person presented and is also anonymous. The plot is brief and “loss of seed is real. But so is the possibility of great fruitfulness.”

Speaking from that single character’s point of view, Jesus “reveals himself as one who knows and understands his hearers’ situation well.” And, “By drawing a specific scene, however mundane, a whole world of truth may be evoked.”

In the “Reflection” on the parable, the author insightfully points out how “It sounds almost like a narrative rendering of a song, Psalm 126.” More importantly, “It invites thought and encourages hope. The identification of seeds with people in the parable’s application draws out the personal challenge that a careful listener might have received from the story itself, but it does not close down the ongoing signifying power of that story,” which unlike a straight telling or listing of events causes listeners to continue to listen, consider, and hear God’s living word.

© 2015, Mary Harwell Sayler, reviewer and life-long student of the Bible, is poet-author of numerous books in all genres.


Jesus the Storyteller, paperback



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Seeing ourselves as part of The Storytelling God

A year or two ago, I began translating the parables of Jesus into poems and prose poetry, so when I heard about The Storytelling God: Seeing the Glory of Jesus in His Parables, written by Jared C. Wilson, I requested a review copy, which Crossway kindly sent.

In the Introduction, the pastor-author immediately gave a fresh perspective by saying, “The word parable from the Greek means ‘to cast alongside,’ and like the seeds cast in one of the few parables for which Jesus offered an interpretation, the parables may land on rocky soil.”

Wow! Had you ever thought of Jesus’ stories in that way? I hadn’t. i.e., The Parable of the Sower is a parable on parables, illustrating how words work in our lives and in the lives of other people.

Inspired thoughts, spiritual insights, Biblical truths are cast (broadcast?) like seeds to land where they may among listeners and readers and, hopefully, to flourish and grow.

As Pastor Wilson explained, “The parables, then, serve this end: they proclaim, in their unique way, the gospel of the kingdom of God and Jesus as king of that kingdom.” Furthermore, “God is the greatest storyteller ever,” and “All good stories are but pale reflections and imitations of the great story of God’s glory brought to bear in the world…. The poetry, the history, the laws, the lists, the genealogies, the proverbs, and the prophecies together make up the mosaic of God’s vision for the universe with himself at its center.”

In our lives as Christian poets and writers, we are a circle, rotating around the world with our words in all genres, evolving into artistry and revolving around our One True Center: God. We are one with Christ and one with one another since the beginning of petroglyphs or stone tablets as we write from the same rock, the same central core.

“The rock to build on, then, is not the doing of Jesus’s words but the work of Jesus already done, namely his sacrificial death and glorious resurrection. The rock to build on is Jesus himself. When we really hear and do, we are showing that he is our foundation.”

We who have ears, let us hear what our storytelling God has to say to and through us in Jesus' Name.

© 2014 Mary Harwell Sayler - poet-author

The Storytelling God: Seeing the Glory of Jesus in His Parables, paperback



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